I like the way that Dexter mixed humor, dark humor and tragedy, in a way I don't think that I've seen another show do. To handle those tonal shifts with so much confidence. Normally, you can mix humor and dark humor, you can mix dark humor and tragedy, but to mix all three... There are just moments with Robin and Reuben, the next door neighbors, that are just funny.

Luck is opportunity plus preparation plus luck.

Movies are always made by committees, and the writer is not at the head of the committee. Thus, mush.

We had all been feeling this, about the Buffy/Riley relationship. It never had the fire that Buffy/Angel did. It wasn't really meant to.

Any story worth telling relates to real life in some meaningful way. Scifi allows you to tell meaningful stories without seeming too preachy - it adds a metaphorical layer between the story and the real world. Scifi is dismissed as ungrounded fluff, but it's actually the opposite.

I saw it on the Twitter of today, on the online boards. There was a huge amount of negative reaction that's been forgotten because the quality eventually shined through. But usually it takes people a while to see what they've got on their plate. And I think, with "Jessica Jones," it's this anomalous thing where, and because of the original property being so good, people saw it right away, which is very unusual.

You embraced what was already on the page, worked with it, massaged it.