A tree lives on its roots. If you change the root, you change the tree. Culture lives in human beings. If you change the human heart the culture will follow.

You may do this, I tell you, it is permitted. Begin again the story of your life.

How fine is the mesh of death. You can almost see through it.

I thought I would love you forever—and, a little, I may, in the way I still move toward a crate, knees bent, or reach for a man: as one might stretch for the three or four fruit that lie in the sun at the top of the tree; too ripe for any moment but this, they open their skin at first touch, yielding sweetness, sweetness and heat, and in me, each time since, the answering yes.

Poetry's work is not simply the recording of inner or outer perception; it makes by words and music new possibilities of perceiving

I require silence to write the way an apple tree requires winter to make fruit. Being with people is intimate and joyous, but at some point, I'll wander off by myself. The paradox is that what began in childhood as an act of necessary solitude has led me straight to a life with others, in which I fly to China or Lithuania or northern Minnesota to read my poems and talk with other people who love language made into a lathe on which a life can be tuned and be turned.

One recurring dream, many others have also: you go into a familiar house, discover a door or hallway, and find the house continues into hidden rooms. Sometimes a whole second house is there, a larger and unknown extension of the familiar dwelling.