If I believed in hell, I'd definitely be going there.

The whole punk scene is, of course, responsible for the Go-Go's ever getting created. Because before punk rock happened, you couldn't start a band if you didn't know how to play an instrument. But when punk happened it was like, 'Oh, it doesn't matter if you can play or not. Go ahead, make a band.' And that's exactly what the Go-Go's did.

The Go-Go's were like my first babies.

If I believed in hell, I'd definitely be going there.

It's too heart-wrenching doing the solo thing. I throw myself into it and get so excited, and then 2000 people buy it and you're, like, 'Oh. I guess it's not that good after all.'

I love being a Go-Go. It definitely has its ups and downs, and we have a very intense energy with each other.

Sometimes I would write something that was so private, people would say, 'Make it more universal.' I never liked that idea. I always thought the more personal a song was, the more people would want to hear it.