You can't stumble upon something new and wonderful if you don't have time to stumble.

The most powerful part of the art is experiential, yet it's the hardest to describe because it's nonverbal.

My whole career I've been interested by the distinction between an emotional and an intellectual response to an artwork.

You can't stumble upon something new and wonderful if you don't have time to stumble.

The spaces I want to be in are nurturing and soft and saturated with color. Our cities don't have enough of that, and as humans we need it.

As a child, I always enjoyed building forts by stringing up bed sheets and clothes. I continue to be inspired by makeshift structures, including my own kids' forts and temporary architecture of all sorts.

When developing an idea, I remind myself not to start with compromise. I envision the ideal manifestation of the idea, as if I had no limits in resources, materials, or permission.