The most powerful part of the art is experiential, yet it's the hardest to describe because it's nonverbal.

My whole career I've been interested by the distinction between an emotional and an intellectual response to an artwork.

When developing an idea, I remind myself not to start with compromise. I envision the ideal manifestation of the idea, as if I had no limits in resources, materials, or permission.

Advances in technology have opened up possibilities in the cultural realm throughout history. I'm intrigued by developments in technology - as an artist it gives me a new palette to explore.

In my regular life, I am very involved in commissions for cities and sometimes countries. And I think of public art as a team sport. The outcome is only possible with the interaction of all the players.

As a child, I always enjoyed building forts by stringing up bed sheets and clothes. I continue to be inspired by makeshift structures, including my own kids' forts and temporary architecture of all sorts.

The spaces I want to be in are nurturing and soft and saturated with color. Our cities don't have enough of that, and as humans we need it.