When developing an idea, I remind myself not to start with compromise. I envision the ideal manifestation of the idea, as if I had no limits in resources, materials, or permission.

Advances in technology have opened up possibilities in the cultural realm throughout history. I'm intrigued by developments in technology - as an artist it gives me a new palette to explore.

As a child, I always enjoyed building forts by stringing up bed sheets and clothes. I continue to be inspired by makeshift structures, including my own kids' forts and temporary architecture of all sorts.

My whole career I've been interested by the distinction between an emotional and an intellectual response to an artwork.

The most powerful part of the art is experiential, yet it's the hardest to describe because it's nonverbal.

In my regular life, I am very involved in commissions for cities and sometimes countries. And I think of public art as a team sport. The outcome is only possible with the interaction of all the players.

It's good for art to make us think, to give us a shared experience that creates a dialogue, makes us talk to each other, including strangers.