Who was I, really? I was the sole occupant of my mother's totalitarian state, my own personal history rewritten to fit the story she was telling that day. There were so many missing pieces. I was starting to find some of them, working my way upriver, collecting a secret cache of broken memories in a shoebox.

I hated labels anyway. People didn't fit in slots--prostitute, housewife, saint--like sorting the mail. We were so mutable, fluid with fear and desire, ideals and angles, changeable as water.

Kindness was the last thing she needed. She had to stay in the icy place, the numb place, and their warmth threatened to melt her just when she needed the cold.

I usually start with something that has some energy, like a compressed character or a situation that's wound up like a spring. Then all I have to do is let it go, let its energy carry the story. And that may not turn out to be the beginning of the book.

I think we're starved for a life of the senses. We're in the garage, we're in the car, we drive to work, we're in a windowless cubicle that's gray and beige. In a way, it's funny that we consider ourselves an advanced culture, because people who live in so-called primitive environments still enjoy the richness of the smells, colors, and sounds of our world. We all crave that.

I'm a fish swimming by...catch me if you want me.

Always learn poems by heart. They have to become the marrow in your bones. Like fluoride in the water, they'll make your soul impervious to the world's soft decay.