No matter where I was, my compass pointed west. I would always know what time it was in California.
Janet FitchHow vast was a human being's capacity for suffering. The only thing you could do was stand in awe of it. It wasn't a question of survival at all. It was the fullness of it, how much could you hold, how much could you care.
Janet FitchThe cake had a trick candle that wouldn't go out, so I didn't get my wish. Which was just that it would always be like this, that my life could be a party just for me.
Janet FitchHis voice was cloves and nightingales, it took us to spice markets in the Celebs, we drifted with him on a houseboat beyond the Coral Sea. We were like cobras following a reed flute.
Janet FitchA couple of times, I could have turned a trick. But I didn't want to start. I knew how it would play. When you started thinking it was easy, you were forgetting what it cost.
Janet FitchKindness was the last thing she needed. She had to stay in the icy place, the numb place, and their warmth threatened to melt her just when she needed the cold.
Janet FitchI wanted to hear what she was saying. I wanted to smell that burnt midnight again, I wanted to feel that wind. It was a secret wanting, like a song I couldn't stop humming, or loving someone I could never have. No matter where I went, my compass pointed west. I would always know what time it was in California.
Janet FitchI nodded. A man's world. But what did it mean? That men whistled and stared and yelled things at you, and you had to take it, or you get raped or beat up? A man's world meant places men could go but not women. It meant they had more money,and didn't have kids, not the way women did, to look after every second. And it meant that women loved them more than they loved the women, that they could want something with all their hearts, and then not.
Janet FitchBeing in the library is so addictive for me that I really have to exercise self-control so I can get some writing done at home.
Janet FitchWe parked in back and walked down the stairs with their polished brass railings, past the old-fashioned kitchen. We could see the chefs cooking. It smelled like stew, or meat loaf, the way time should smell, solid and nourishing.
Janet FitchIt's their skins I'm peeling," she said. "The skins of the insipid scribblers, which I graft to the page, creating monsters of meaninglessness.
Janet FitchThe best you'll ever do is to understand yourself, know what it is that you want, and not let the cattle stand in your way.
Janet FitchI felt like an undeveloped photograph that he was printing, my image rising to the surface under his gaze.
Janet FitchI wondered why it had to be so poisonous. Oleanders could live through anything, they could stand heat, drought, neglect, and put out thousands of waxy blooms. So what did they need poison for? Couldn't they just be bitter? They weren't like rattlesnakes, they didn't even eat what they killed. The way she boiled it down, distilled it, like her hatred. Maybe it was a poison in the soil, something about L.A., the hatred, the callousness, something we didn't want to think about, that the plant concentrated in its tissues. Maybe it wasn't a source of poison, but just another victim.
Janet FitchHe hated crowds, never liked punk. He couldn't handle the nakedness of the rage -his own so sophisticated and finely tuned. He could never see the similarity between himself and Donnie Draino screaming into a mic.
Janet FitchDon't hoard the past. Don't cherish anything. Burn it. The artist is the phoenix who burns to emerge.
Janet FitchWhat was beauty unless you intended to use it, like a hammer, or a key? It was just something for other people to use and admire, or envy, despise. To nail their dreams onto like a picture hanger on a blank wall. And so many girls saying, use me, dream me.
Janet FitchI was tired of men. Hanging in doorways, standing too close, men who made you love them then changed their minds.
Janet FitchRemember it all, every insult, every tear. Tattoo it on the inside of your mind. In life, knowledge of poisons is essential. I've told you, nobody becomes an artist unless they have to.
Janet Fitchhistory only existed in the human mind, subject to endless revision. 'each man kills the thing he loves'-Oscar Wilde. You kill it before it kills you, but he was wrong. you killed it by accident. thinking you were doing something else. shattering, when all you wanted to do was keep it safe.
Janet FitchDon't attach yourself to anyone who shows you the least bit of attention because you're lonely. Lonliness is the human condition. No one is ever going to fill that space. The best thing you can do it know yourself... know what you want.
Janet FitchI understood why she did it. At that moment I knew why people tagged graffiti on the walls of neat little houses and scratched the paint on new cars and beat up well-tended children. It was only natural to want to destroy something you could never have.
Janet FitchShe should think about her own soul, what she was going to do with this funky tattered pond dank item. Dark and stained, a ruined thing.
Janet FitchI hated labels anyway. People didn't fit in slots--prostitute, housewife, saint--like sorting the mail. We were so mutable, fluid with fear and desire, ideals and angles, changeable as water.
Janet FitchWriting mirrors the interior self. You know, any book is like the perfect blueprint of the psyche of the author.
Janet FitchIf sinners where so unhappy, why would they prefer their suffering? But now I knew why. Without my wounds, who was I?
Janet FitchThe pearls weren't really white, they were a warm oyster beige, with little knots in between so if they broke, you only lost one. I wished my life could be like that, knotted up so that even if something broke, the whole thing wouldn't come apart.
Janet FitchAt every moment, each instrument knew what to play. Its little bit. But none could see the whole thing like this, all at once, only its own part. Just like life. Each person was like a line of music, but nobody knew what the symphony sounded like. Only the conductor had the whole score.
Janet FitchThis involves more than I can discuss here, but do it. Read the writers of great prose dialogue-people like Robert Stone and Joan Didion. Compression, saying as little as possible, making everything carry much more than is actually said. Conflict. Dialogue as part of an ongoing world, not just voices in a dark room. Never say the obvious. Skip the meet and greet.
Janet Fitch