This involves more than I can discuss here, but do it. Read the writers of great prose dialogue-people like Robert Stone and Joan Didion. Compression, saying as little as possible, making everything carry much more than is actually said. Conflict. Dialogue as part of an ongoing world, not just voices in a dark room. Never say the obvious. Skip the meet and greet.
Janet FitchSo much wanting and longing, clutching, desiring, passion and hatred and terrible need. Here, death was suitable, there was room for it, the grip of life's relentless urges slackened, replaced by this icy simplicity. This wasnt her death. It was his. That was the sad and honest truth. Though it would stay with her, it would be more like a black onyx heart on a silver chain, worn privately, under her clothes, close to her body, all her life. The guilt, the beauty, everything. It wasnt over, it had only begun. Well ok then, Okay.
Janet FitchHow could anybody confuse truth with beauty, I thought as I looked at him. Truth came with sunken eyes, bony or scarred, decayed. Its teeth were bad, its hair gray and unkempt. While beauty was empty as a gourd, vain as a parakeet. But it had power. It smelled of musk and oranges and made you close your eyes in a prayer.
Janet FitchMy house is modern, but I like my writing room to be old fashioned. I write on a little wooden secretary desk.
Janet FitchAs a person with terrible handwriting, I love the computer. I've waited all my life for the computer.
Janet Fitch