But I think theatre in a repressive society is an immensely exciting event and theatre in a luxurious old, affluent old society like ours is an entertaining event.

Always you find that the more decisive event wins so my father's sort of annual decisiveness which came upon him on the Day of Atonement every year, he suddenly remembered that he was Jewish.

I think it's a very central tenet to it yes, it is. I can't bear it, I can't bear inequality, I can't bear bad behaviour to other people. I cannot bear it that people are mean to people who can't help what they are.

So we do have our exits and our entrances and we are perhaps mere, but I think if one keep a certain joyousness in life which should be in playing, then good for one, but it's slightly more serious than that.

I suppose meeting people whether it's in real life and actually shaking their flesh and blood hand or shaking the mystical hand of the character all rub off on you in some way.

Jews have had to carry around their own sense of self in a carpet bag and I think perhaps too much emphasis might be being put on nationality and on the other hand patriotism, that sort of thing.

I find its attention to living this life rather than the next one exhilarating because I think even independently of Judaism that that's the right way to go about life.