["War Horse"] does have action as well, but we allow the audience to appreciate the environment where these characters are from because the lens shapes the people, as we know.

[Spielberg] surrounds himself with great crew members who are at the top of their game and know their stuff. He motivates us by liking what we do, and he doesn't get paralyzed by the process or by new ideas. He embraces them and uses them.

We exchanged a couple of ideas and stuff like that, but that's about it. I just think ... consulting on 'Tintin' was very interesting because you try to ... not educate, but inform the animators [about] what the lighting looks like, but [in the end] they do it themselves. I don't actually go and sit there with them. [We] just had a couple of conversations.

I do like 'Munich'.It's a really wonderful film. I mean, there's 'Schindler's List', there's 'Saving Private Ryan'. But 'Munich' - of all the other films, Munich would be the one that's really, really amazing storytelling.

I had very little involvement with 'TinTin'. Very little involvement. So I can't really elaborate on that either.

It's very hard to go to Monument Valley and not think of John Ford's films.

If you take away 'Schindler's List' and 'Saving Private Ryan', I like 'Minority Report' a lot.