I am proud, and more than a little excited, to be asked to work with Faber in an editorial capacity. It is my dearest hope that we will produce some fantastic books together.

As a shy kid growing up in Sheffield, I fantasized about how it would be great to be famous so I wouldn't actually have to talk to people and feel awkward. And of course, as we all know from fairy stories, when you achieve that ambition, you find out you don't want it.

I appreciate people who try and use language in an interesting way.

Unless you're living on the street and surviving on a diet of discarded turkey drumsticks, there's no point in being gloomy. We've spent too long trying to cheer ourselves up by spending money on brightly coloured things we don't really need. We've stopped using our imaginations.

If you wanted to be a creative person and you are confronted with the sum product of mankind's creativity up to this moment in history, that's pretty daunting, like, "Where can I fit my voice in amongst all that?"

It's weird: The leader of the Conservative Party in England is two years younger than me, and I still don't really feel like a responsible adult.

One of the problems of our modern world is that there's a lot of things to work through, but, at some point, everybody should take a pause from that and make something, so that it's not just all one-way traffic.