In some ways, I always thought you're better off behaving like a rock star when you're a normal person. Because if you do it as a rock star, you'll end up in the papers and your life will be made a misery.

Every woman I've had a relationship with has found this maddening; the fact that I will talk about anything on the stage, and reveal all this stuff, and yet when I'm at home, I clam up and won't discuss anything intimate or personal.

Being chronically shy I needed to create a persona for myself and be involved with a band where I could be ruler of my own kingdom. Then Pulp became hugely popular and I lost control of it, which is when it all went wrong.

You don't often hear people say, 'Oh, since he's been taking them drugs, he's such a nice person! He's really come out of his shell, he's really nice, he's blossomed'.

I speak onstage to try to establish some method of communication. The songs are supposed to be a way of communicating. But speech and drinks and sometimes chocolates are also a way of communicating.

I was kind of reared by television, but the BBC, it still had that thing - and people are always invoking that kind of Reithian idea - where you could learn stuff from it. If you put a kid in front of a telly now to be reared by that you'd just have a jibbering idiot, you know what I mean? Just adverts for a start. It's almost like the programmes are an afterthought, the real business of this channel is to sell you things and we're just going to space out those announcements with some crap to watch.

[Jeffrey Lewis is] The best lyricist working in the US today.