A song can't be completely serious if you rhyme melodic with alcoholic.

You don't often hear people say, 'Oh, since he's been taking them drugs, he's such a nice person! He's really come out of his shell, he's really nice, he's blossomed'.

The working class has been turned into a consuming class - a situation has been created where people value their worth by what they can afford.

What people have to make sure of is that they're not replicating something that already exists. You really have to ask yourself: "Is there a point in me doing this? Has this already been said before? Is this moving things along or is this just adding to the giant pile of junk that's already there?"

I do write songs with a political dimension to them sometimes, but I'm always slightly appalled by it when I do.

For TV you also get those pre-interviews when researchers ask you what you're going to say. The pre-interview drives me insane. If they've already decided the outcome, why don't I just hand in an essay? Maybe if we talk we'll find something out. I'd rather just have an awkward pause.

I don't think people should abuse the fact that they are in showbiz. You still have to be human. I think that's the point. Showbiz is about showing human things - just amplified, that's all. And when it gets too much into, "Hey, we're part of the showbiz club and we can do what we want," it turns me off and I hate it.