You're not going to hear me singing songs about Wall Street because I don't know anything about that.

I got a hat deal with Resistol, where I have my own line of cowboy hats.

There's nothing cooler than a good fitting, worn-in pair of Wrangler jeans, so it's great that with the new Retro line, my fans can go out and rock the same styles that I love.

I don't really think that audiences are that much different. I think that a fan is the same whether you are from here or from Japan - you come to a show because you like the music. I don't really see much of a difference anywhere.

Traveling all over the country and all over the world, I think you've got a lot of pop acts and a lot of rock acts that are making a point of traveling to different places and making people aware of their music and their shows and the whole deal and I think country music has always sort of stayed, for the most part, in the states.

If you say, 'I'm going to cut this song because I know the teenagers are going to love it,' well, then you're going to alienate everybody else. When I cut my record, I'm just going to cut the things that I like, and whoever likes it, likes it. That's too much work to try to figure out the demographic. That's too much like a business.

'She's Country' obviously changed a lot of things for us and pretty much, I think, doubled our crowd size in just a few months time.