Jason Aldean Quotes

Playing a stadium is a big adrenaline boost for me and I dig it. It keeps me on my toes and makes me revamp everything I'm doing and not get stagnant with how I approach every show, which is something I like.

If you can go out with your live show and turn people on to that, where you have that fan base that's religious and they're going to come see you when you're in that town, once your radio success is gone and you're not a mainstream guy anymore you can still go out and play your shows.

I haven't figured out why people like what they like. I don't know. I wish I did. I could sell that to everybody, man, and be a millionaire.

I would say, 'Go ask any couple that's been married for 30, 40, 50 years... It hasn't always been roses.'

Now one thing I think is really lame, is if you're an artist and you go to a karaoke bar and sing your own song. I like to get up there and sing stuff that I would never sing on stage anywhere else. Like Neil Diamond.

Macon has such a rich musical history - and the state of Georgia, as well.

I got a hat deal with Resistol, where I have my own line of cowboy hats.

The 'Night Train' has already been a crazy ride for me. We flew around making TV appearances and stadium announcements all over the country, fueled by little more than coffee and adrenaline... so many fans jumped on board with us, and I couldn't be more thankful.

I love playing music. And that's what it's all about.

I think everybody would love to say they were in a movie. Whether or not I'm any good at it, I don't know.

I only took about five guitar lessons in my life from an actual teacher. I learned fast that that wasn't for me. I didn't have the attention span to learn that way. So I learned the basics from my dad, then just from playing on stage, and watching other guitar players.

You have record companies that sign acts that they think are great, and then they never do anything. Acts that they don't think are really going to do much end up having a career. I don't think anyone really knows what it is that drives somebody to get on their computer and want to download a song.

I think country music is obviously a great form of music. I think it's cool and has mass appeal.

Records are one thing, and obviously, without hit songs, you don't have the opportunity to do your shows. But my live show has always been my selling tool.

If it takes you a year to cut a record, I don't know, you need to find something else to do. It really shouldn't take that long.

There's a lot of people I'd love to work with at some point, but I think the song has to be the right thing. It has to be the right fit.

'She's Country' obviously changed a lot of things for us and pretty much, I think, doubled our crowd size in just a few months time.

There are a lot of people out there that really aren't that different than me, I consider myself a pretty average guy, so hopefully they understand me and know where I am coming from. I kinda feel like I am a voice for them.

I think from an artist standpoint, you have to put out music that you feel like represents you and things you feel like your crowd wants to hear. And if that drives them to go and download the album or the single, that's what we want.

I think my music is definitely country but it's got a little bit of that rock flair about it. I always try to find the things that everyday people deal with in their everyday lives and situations in the songs that I sing.

Typing in the name of a song and downloading the song you really have no connection with the artist at that point. So I think it is still important to have physical CDs and stuff like that.

I think it's important for artists to work together. It's great for fans to see, like, Ludacris came out to our show in Atlanta and kinda made a surprise appearance there, it shows a mutual respect for what each other does.

She gets on you under your skin like a tattoo she'll always be there!

Country music artists are staying true to their roots, keeping it country but throwing a little bit of rock flair in there which I think is a good thing.

There's nothing cooler than a good fitting, worn-in pair of Wrangler jeans, so it's great that with the new Retro line, my fans can go out and rock the same styles that I love.

I had a friend, Melissa, who was 28 years old. She was my best friend's wife, and she was my wife's best friend. She died of breast cancer. When she passed away back in 2004 was the last time I cried.

I'm very particular about the kind of music that I record and sing, and it would be the same way about the kind of movies that I would do.

My mom was a single mom, and she had enough on her plate. I knew when I was doing something I wasn't supposed to, and I tried to keep her from finding out about it. I did a pretty good job of that.

Yeah I'm chillin' on a dirt road, laid back swervin' like I'm George Jones.

As a new artist, you come out, and there are so many other new artists. It seems like there's a whole wave of new artists that come along every year. In '05, I was part of the crop. It was a lot harder trying to set myself apart from the rest of the pack.

I grew up listening to everything. And rock and roll has always been a big, big part of it - as big a part of what I do as any other type of music.

I've been wearing Wrangler jeans for more than a decade now, all the way back to when I first started playing clubs in my teens in Georgia.

I grew up listening to all kinds of music, everything from country to rock, pop, R&B and even rap, so for me, music is music and a great song is a great song.

My dad encouraged anything I wanted to do, especially music. Actually he drove me around to places where I could play.

People see you onstage and the glamorous side, but they don't see you traveling 600 miles a night, eating truck stop food and spending by yourself staring at walls.

I had an opportunity to play baseball in college, but I just didn't want to go to school. I started focusing on my music and it was game over!

Hearing people clapping draws you in pretty quick. It's like bungee cord jumping - it's a rush; you just want to do it again.

No matter what you do, you're going to have people who have something to say about something you do. You can't please anybody.

I think when you wear the brand anyway, why not go out and try to promote it and make it as cool as you can? The fact that I can continue to do what I've always done and kind of become the face of that brand is to me, kind of just makes sense. It doesn't make sense not to do it I guess.

I don't know if Nashville will ever be ousted as the Music City. But I also think that here, over the last few years, Georgia has definitely kind of risen to the top as far as the crop of young artists coming out of this area that are kind of making waves, you know?

My goal is that when the last song is over, and you're walking back to the parking lot, you're already on your phone searching to find the next show.

I don't really think that audiences are that much different. I think that a fan is the same whether you are from here or from Japan - you come to a show because you like the music. I don't really see much of a difference anywhere.

For every album, I look at where I'm at in my career and think of a title that kind of represents that. And for me, 'Night Train' was kind of a metaphor for where things have gone, from being on one bus with 12 other guys, pulling a trailer my first few years on the road, to now. We're out here with six or seven buses and eight or nine semis.

To me, a critic is someone who gets paid for their opinion, and they're entitled to that opinion but I don't really put a lot of stock into their opinion. I'm going to cut the kind of records and the kind of songs that I like, and the kind of things that I enjoy doing. If critics dig it, that's fine, if they don't, that's fine.

I had no idea 'Big Green Tractor' was going to be as big a hit as it was. You just can't predict those things.

I didn't want my records to sound like anybody else, and when I've got my guys in the studio, I have a language with those guys because we work together every day. A lot of times, you bring in outside guys, studio players, whatever, and they're great musicians. It's just that they don't necessarily play the way I want it to be played.

If you say, 'I'm going to cut this song because I know the teenagers are going to love it,' well, then you're going to alienate everybody else. When I cut my record, I'm just going to cut the things that I like, and whoever likes it, likes it. That's too much work to try to figure out the demographic. That's too much like a business.

I try to record music that people can relate to.