If you say, 'I'm going to cut this song because I know the teenagers are going to love it,' well, then you're going to alienate everybody else. When I cut my record, I'm just going to cut the things that I like, and whoever likes it, likes it. That's too much work to try to figure out the demographic. That's too much like a business.

I didn't want my records to sound like anybody else, and when I've got my guys in the studio, I have a language with those guys because we work together every day. A lot of times, you bring in outside guys, studio players, whatever, and they're great musicians. It's just that they don't necessarily play the way I want it to be played.

I don't really think that audiences are that much different. I think that a fan is the same whether you are from here or from Japan - you come to a show because you like the music. I don't really see much of a difference anywhere.

Capricorn was one of the homes of the Southern rock movement with the Allman Brothers and Charlie Daniels and the Marshall Tucker Band. I don't think you can come from that area and not be influenced by that stuff a little bit, no matter what generation you grew up in.

For every album, I look at where I'm at in my career and think of a title that kind of represents that. And for me, 'Night Train' was kind of a metaphor for where things have gone, from being on one bus with 12 other guys, pulling a trailer my first few years on the road, to now. We're out here with six or seven buses and eight or nine semis.

My goal is that when the last song is over, and you're walking back to the parking lot, you're already on your phone searching to find the next show.

I had an opportunity to play baseball in college, but I just didn't want to go to school. I started focusing on my music and it was game over!