It is one of the few elements in the process that a director really, really can't control: an actor's performance. If you have a director that understands that, it's comforting to an actor. You're starting the relationship more as a collaborator, rather than as an employee or some kind of a soldier trying to execute something you don't organically feel.

I'm in bed by nine. Let's get on with it.

I don't really find a problem with technology or television, or anything. I'm a product of it. I grew up watching TV, and I don't think I'm too dumb or too crazy.

I don't have anything to fix! I don't smoke, I don't drink, and I don't eat carbs. My life is just great now. Normal. Vanilla.

I really enjoy playing that everyman part because that part is us, the audience. And you need somebody inside a comedy to tether the absurdity to reality.

My comedic instinct, is a little bit more rooted in - my mother's British so I've always been more of the dry receiver of the crazy as opposed to the initiator of the crazy. I'm kind of predisposed to be the straight man.

I don't get a chance to cry that often on film, so I was hoping that talent would come my way, that day. I cheated, I guess, when I just started looking at my technology device - my iPhone - to look at pictures of my kids, before I did the scene where I had to cry. That was a good trick that I found.