I think good suspense and horror is really about creating situations that are relatable, and throwing a wrench in it and watching how people respond to it.

There are a lot of parallels between doing a sequel and doing low budget movies, which is they give creative parameters. As a creative person myself, I work better with parameters as opposed to anything goes.

There's S-VOD, which is 3 1/2 months after the theatrical release. The windows are going to get closer and closer, and the sooner they collapse in my mind the better it'll be for everybody. It's coming, but change is hard. It will be more profitable for everybody, including exhibitors.

I think the location is almost as important as casting the leads of the movie. The location on The Purge was crucial to that movie working.

I love musicals. I love horror movies and I love art movies.

I'm a believer in screening movies early, and using the movie itself to help sell the movie. If you can't do that, I feel like you shouldn't be releasing the movie.

Let's keep making inexpensive movies.