But, it's much easier to do that than produce the movies from scratch. It excites the same thing in me, whether we build it from the ground up, or whether we come on when the movie is done or almost done. The idea of supporting the underdog and getting a smaller movie out there in a big way is equally exciting.

My easiest judgment for a script is 'do I want to keep reading it?'

When you raise the budget, you make creative compromises. The higher the budget goes, the more cuts in your movie happen. When people talk about how movies are watered down, that's a direct reflection of money and budget. The less money you spend; the more risks you can take. That doesn't mean it will be successful, but at least you can try different stuff. The higher your budget is, the less you can do that.

I found that a lot of people ridiculed contemporary art. I decided I wanted to be involved in art everybody could understand.

I love musicals. I love horror movies and I love art movies.

I think good suspense and horror is really about creating situations that are relatable, and throwing a wrench in it and watching how people respond to it.

I think the location is almost as important as casting the leads of the movie. The location on The Purge was crucial to that movie working.