I basically had the idea when I was 18 that I wanted to write my own songs. I knew it was going to be a long, tough road, and I was like, if I just begin now, by the time I'm 40, I'll be good at it.

Sometimes you forget where the heck you are but when you get on stage, you know by the look on the people's faces and the accent in their voices where you might be.

In a song you can shine a light on a topic and with your voice at a concert you can shine a light on an actual issue or a person, you can acknowledge whatever you like with music and people will listen.

I enjoy going on stage knowing that there's going to be that vulnerability and that transparency and hopefully things will be realized or accomplished or that confidence will be revealed. I think that's another element that people like about shows: in addition to hearing the songs that they love, I think there are some people who really get off on connecting with what's happening right now.

What I get on a yoga mat, and from a yoga teacher, has been more beneficial onstage than any other workshop I've ever done. And it starts with that breath; it starts with getting out of my head and really just slowing the system down and being in a true present moment with each and every breath. That then allows me to be a more balanced and focused individual onstage.

Two halves don't make a whole. Two wholes make a whole. In my relationship, I was giving myself away to make the relationship better, but in actuality, wasn't doing better by doing that. I became less of a man.

Just take it easy and celebrate the malleable reality. You see, nothing is ever at is seems, yeah this life is but a dream.