The whole thing that drew me to doing an animated film is that you're freed from the physical limitations of your physical body. All of a sudden, you get to be something that has nothing to do with the fact that I'm a 6'4", lumbering dude, and that is really exciting.

I've been really lucky to spend some time around actors and artists I really admire. One thing I gathered from asking a lot of questions is that part of this job and this life we've chosen is doing personal exploration in front of an audience. In a lot of ways, that's what art is: personal searching with people watching.

I have a similar issue with people who hire me as I do with women. 'You have to have a particular taste to want to be around me. I have a slightly askew view.

It [voicing animation] is very freeing. Nobody in the cast is doing their voice. No one is talking like they normally talk and it's because, all of a sudden, you're freed from the physical limitations of how you look, which is amazing.

There were some super-lean years, yeah. I'm six feet four. And I entered into this period all of a sudden when I was too big to play a kid and I was too young to play an adult. Like, I couldn't play the lawyer, but I couldn't play the high school kid anymore.

People have a lot less leniency for some reason for women straying from a relationship than they do for men.

When you're a kid, Kermit is Tom Hanks. He's Tom Hanks for kids or Jimmy Stewart for kids. He's truly the every man.