I am a child of the digital revolution. So what I love about digital content is the quick turnover rate.

My background is in like short form digital media, I call myself more of a digital filmmaker than anything else.

I think people who have all kinds of debilitating mobility issues will benefit from robotic augmentation. That is even before we get into organ replacement and organ printing and synthetic biology and so on and so forth.

I think that human beings have gotten as far as we've gotten because of our adaptability, our ability to adapt, and our ability to dovetail our technologies - our brains to our tools. With the Industrial Revolution, we transcended the limits of our muscles. With the digital revolution, we transcend the limits of our minds.

Film is the only technology that allows us to share subjectivity with someone else.

Cinema is a technologically mediated dreamspace, a way to access, a portal to the numinous that unfolded in the fourth dimension, so cinema became sort of a waking dream where we can travel in space and time, where we can travel in mind. This became more than virtual reality, this became a real virtuality.

I think one of the both liberating and terrifying prospects from synthetic biology for example is that you are going to have all of these do it yourself biosynthetic labs where people are going to be playing with the software of life. We are going to have a new generation of artists that are going to be playing with genomes the way that Blake and Byron used to play with poetry. And when genomes are the new canvas for the artist, we might be able to radically upgrade the human species and the software of the biology of the human species.