My background is in like short form digital media, I call myself more of a digital filmmaker than anything else.

We have all kinds of limitations as human beings. I mean we can't see the whole electromagnetic spectrum, we can't see the very small, we can't see the very far. So we compensate for these short comings with technological scaffoldings. The microscope allows us to extend our vision into the microsphere. The telescope allows us to extend our vision into the macrosphere, the Hubble Space Telescope extends our optic nerve into space, and it allows us to mainline space and time through our optic nerve.

I think one of the both liberating and terrifying prospects from synthetic biology for example is that you are going to have all of these do it yourself biosynthetic labs where people are going to be playing with the software of life. We are going to have a new generation of artists that are going to be playing with genomes the way that Blake and Byron used to play with poetry. And when genomes are the new canvas for the artist, we might be able to radically upgrade the human species and the software of the biology of the human species.

We are the Captains of Spaceship Earth...we have the capacity to overcome our limits.

There's always going to be the circumstances you can't plan for. There's always the unexpected relevance and the serendipity.

Creativity and insight almost always involve an experience of acute pattern recognition: the eureka moment in which we perceive the interconnection between disparate concepts or ideas to reveal something new.

Consciousness, when its unburdened by the body, is something thats ecstatic; we use the mind to watch the mind, and thats the meta-nature of our consciousness; we know that we know that we know, and thats such a delicious feeling, but when its unburdened by biology and entropy, it becomes more than delicious: it becomes magical.