We have all kinds of limitations as human beings. I mean we can't see the whole electromagnetic spectrum, we can't see the very small, we can't see the very far. So we compensate for these short comings with technological scaffoldings. The microscope allows us to extend our vision into the microsphere. The telescope allows us to extend our vision into the macrosphere, the Hubble Space Telescope extends our optic nerve into space, and it allows us to mainline space and time through our optic nerve.

I love that you can shoot something on your phone, or shoot something on these small Cannon cameras, and edit it overnight and get it out there the next day and potentially go viral. And that's huge. It really takes the middle-man out. It allows anybody to become a content creator.

Imagination allows us to conceive of delightful future possibilities, pick the most amazing one, and pull the present forward to meet it.

To be inspired is the ultimate antidote to existential despair.

There's always going to be the circumstances you can't plan for. There's always the unexpected relevance and the serendipity.

There is always this interesting relationship we have with technology. When we invented writing Socrates used to say it was going to rot our brains because we were going to write everything down and not have to remember anything, and so it would atrophy our brains. So there has always been this human drive on the one hand to create tools, to create technologies to overcome our boundaries, but then there is always this reservation, and this fear that say these technologies are somehow unnatural and it is against nature to partake in them.

Cinema is a technologically mediated dreamspace, a way to access, a portal to the numinous that unfolded in the fourth dimension, so cinema became sort of a waking dream where we can travel in space and time, where we can travel in mind. This became more than virtual reality, this became a real virtuality.