I don't want my work to be an exposure of my feelings.

I love drawings, so I've always enjoyed making drawings that exist on their own.

I'm working in my mind.

One wants one's work to be the world, but of course it's never the world. The work is in the world; it never contains the whole thing.

Intention involves such a small fragment of our consciousness and of our mind and of our life.

To do a drawing for a painting most often means doing something very sketchy and schematic and then later making it polished.

Take an object. Do something to it. Do something else to it.