What I strive to do is make my characters seem like real people so that the reader experiences them as people - that's something I've been working on all of my life. I couldn't have written this novel at twenty or thirty, for technical reasons - I didn't have the technique then - but above all because I didn't have the life experiences I have now at sixty-seven.
Jaume CabreFor someone like you who's a British citizen this might seem strange. How can you ban a language? It turns out that you can. During the dictatorship it was illegal to speak Catalan. This is an experience that we Catalans have all had to varying extents. Some more tense than others, but it's something we all share.
Jaume CabreI think that's true of real life - we don't ever know anyone completely. Secrets are very important to creating a narrative work that's believable. The characters come into that world with secrets, as happens to all of us. As honest as we try to be in our relationships, we can never completely know someone. From a narrative perspective it's very important and pleasing - you want to have those secrets there. The secret is an essential part of the creation of the novel.
Jaume CabreI take all my characters very seriously - the main, secondary, and supporting characters. Even if they only appear once, they still need to have their own life. Some characters are absent literally but at the same time very, very present.
Jaume CabreThere were many books in my parents' home. I'm from a family of five children and we were all readers. And so by the time I left home, I had already read many books, and I was very interested in reading more. That was when I started to have the desire to write. But it wasn't like a divine apparition with angels and seraphins on high. Not for me, at least.
Jaume Cabre