I think it's very interesting for a director that enjoys thrillers and mysteries like I do to have the challenge to do that.

I think it's very interesting for a director that enjoys thrillers and mysteries like I do to have the challenge to do that.

Camera's are cheap. It's the lenses that are expensive.

Obviously in the close-ups we bring extras around or we do it later, but them running in and the big shots, they don't know. They're just coming out.

You have to offer sort of an evolution visually and do things like you've never seen before, like a fight between two men in a toilet on an airplane which was very exciting.

It's hard to do a camera inside of a car. Non-Stop would have been impossible. Usually modern lenses you can focus up to the lens pretty much, but anamorphic you can't. You need like three feet.

You know how hard it is to swim take after take and perform the next day swimming again? Me, I'm a terrible swimmer, but most actors with that tight schedule would be sick pretty quick.