Anamorphic is very difficult because the distance from the lens to the person to focus is very long so you need a lot of distance from the camera to the person so that means that you need a lot of space.

Now that everyone's shooting digital they want the anamorphic to soften the look. You know, to make it more filmic.

If you do any thriller or horror movie a big part of the process is accounting for the cell phone.

Anamorphic doesn't really lend itself to the big shots.

I think video is very useful, but it's very useful when you want a certain reality.

Obviously in the close-ups we bring extras around or we do it later, but them running in and the big shots, they don't know. They're just coming out.

I could only shoot when the subway was on the other platform. Little things like that, and the platform is very narrow. It's not like you can hide if a subway comes so a lot of things happened because of that. Or a thousand people just came and looked straight into the lens like they didn't expect a movie to be shooting.