Because it may seem like a small role now, but it matters. In the end, everything matters.

That's what I love about poetry. The more abstract, the better. The stuff where you're not sure what the poet's talking about. You may have an idea, but you can't be sure. Not a hundred percent. Each word, specifically chosen, could have a million different meanings.

Sometimes we have thoughts that even we don't understand. Thoughts that aren't even true—that aren't really how we feel—but they're running through our heads anyway because they're interesting to think about.

And what if in the future we're at war again, or we still haven't elected a non-white or non-male president, or the Rolling Stones are still dragging their tired old butts on stage? That would depress me way too much.

I wanted people to trust me, despite anything they'd heard. And more than that, I wanted them to know me. Not the stuff they thought they knew about me. No, the real me. I wanted them to get past the rumors. To see beyond the relationships I once had, or maybe still had but that they didn't agree with.

The longer you wait, and this is true, the slower the hands will move.

Imagine ten or tweleve orange chairs arrainged in a circle, with the happy woen from the flyer sitting at opposite ends. Only problem was, from day one, they weren't happy. Someone, whoever made that flyer, must have digitally turned their frowns upside down. They wrote about death. About the evilness of men. About the destruction of-and I quote- "the greenish, bluish orb with wisps of white." Seriously, that's how they descibed it. They went on to call Earth a knocked-up gaseous alien needing an abortion.