I do feel the weight of being the steward of the greatest sport the world ever came up with. I grew up with a love and admiration for it, so I feel an obligation to portray it as electric and terrifying and exciting and beautiful, and all these sometimes contradicting things that make hockey what it is.

My mom said to me when I was a little kid, "You don't have to hate your job. Just because you see all these unhappy grown-ups doesn't mean you have to be one of them." She said, "Find something that you would do for free and find a way to get paid to do it." That's been my guiding principle.

Movies are the greatest art form the world has come up with yet. If you don't use them to the full extent and you don't give people as much as you possibly can, you're doing a disservice to it.

I'm a massive movie nerd. That being said, I could retire tomorrow because I wrote this movie 'Goon' and it came out, and it connected and it's a wonderful flick that I think is beautiful and then it had this wonderful life and it means a lot to a lot of people.

The hockey I was raised on, the hockey I understand, the hockey that my dad taught me about when I was a boy was intrinsically connected with fighting. I grew up in a house where we revered tough guys.

I like writing strong women, because as a straight male, there's nothing more attractive to me than a strong girl.

If you know what you want and you hire people that can do it, there's no reason it should be arduous and torturous. I wanted everyone to enjoy themselves on my set and want to be there, to take ownership of it and pitch ideas to me and know that this is their flick.