If you are truly involved in a film and if you are going to do any kind of good work, you have to have that full commitment to the work. If you aren't willing to do that, or if that is not in your nature, I say steer clear of it.

I am so delighted when I get to see a really good movie. In that experience the artifice of movie making, the photography or the cutting style, falls away because you are inside the movie.

Part of the discipline of being an editor is that you have to be a good audience member; your work is to be a surrogate audience member on the films you are working on.

If you are really working on something intensely, your social skills fall away and you are not fit to be brought out into public.

I always like to tell people who are interested in the business, and the acquired wisdom I give my children, is to stay out of show business. There are better ways to lead your life. You might end up being happier and spend more time with your family and make more money if you don't work in the film business.

If you are truly involved in a film and if you are going to do any kind of good work, you have to have that full commitment to the work. If you aren't willing to do that, or if that is not in your nature, I say steer clear of it.

I think an editing style is something that is ascribed to the work after-the-fact. I don't think you go in with a particular intention, but I think if there is an integrity to the work and the material you are working with, the work comes from the nature of that material.