If you can capture the element of surprise, you're way ahead of the game.
It's always around. You just don't see it.
It's not just when you shoot, or what you shot, or where you shoot, it's the combination of the three.
You must be open to what otherwise may seem to be a detriment to your 'plans'.
If the light is great in front of you, you should turn around and see what it is doing behind you.
The drama of light exists not only in what is in the light, but also in what is left dark. If the light is everywhere, the drama is gone.