The drama of light exists not only in what is in the light, but also in what is left dark. If the light is everywhere, the drama is gone.

You need minimum color for maximum effect.

If you are out there shooting, things will happen for you. If you're not out there, you'll only hear about it.

I try not to tell students where to shoot, when to shoot, or what to shoot. I feel finding the picture is the most important part of being a photographer. The actual shooting is of lesser importance.

There really isn't anything that you could call 'bad' color. It all has to do with the amount of color you use and in what context it appears.

It's always around. You just don't see it.

Some have said that if you take a great picture in color and take away the color, you'll have a great black-and-white picture. But if you're shooting something about color and you take away the color, you'll have nothing.