I don't see light as something that falls, but as a positive force.

The more light you have in an image, the less drama you get. The details start taking over; the mystery is all gone.

Try to go out empty and let your images fill you up.

There really isn't anything that you could call 'bad' color. It all has to do with the amount of color you use and in what context it appears.

Always wait for the trigger. The trigger is the final part of the puzzle, the reason you want to shoot.

If you can capture the element of surprise, you're way ahead of the game.

You must be open to what otherwise may seem to be a detriment to your 'plans'.