There really isn't anything that you could call 'bad' color. It all has to do with the amount of color you use and in what context it appears.

... there's one of the great lies of all times, that computers save time. They don't. They're time suckers. So, I'm trying not to get involved in the Photoshop.

There is no one solution to all problems. It's the problem itself that can lead to the solution.

You have to have a lot of 'overage' so that your failures aren't the only thing you come home with. You've got to have a lot of things that were magnificent failures, but you want some magnificent successes.

Never say you're going back - SHOOT IT NOW!

A photographer's art is more in his perceptions than his execution. In a painter, I think the perception is only the first step, and then you have a kind of hard road of execution.

You can't just turn on when something happens, you have to be turned on all the time. Then things happen.