A photographer's art is more in his perceptions than his execution. In a painter, I think the perception is only the first step, and then you have a kind of hard road of execution.
Pain is not a conduit to art or joy
Be aware of every square millimeter of your frame.
There are rules about perception, but not about photography.
If you can capture the element of surprise, you're way ahead of the game.
Since the background is as important as the subject, you mustn't let it default by chance. You must control not only vertical and horizontal, you must be aware of the depth of field (or lack of it) that you want in the background.