You find that you have to do many things, more than just lift up the camera and shoot, and so you get involved in it in a very physical way. You may find that the picture you want to do can only be made from a certain place, and you're not there, so you have to physically go there. And that participation may spur you on to work harder on the thing, . . . because in the physical change of position you start seeing a whole different relationship.

I want to go out as unprepared as possible so I can get filled up with what the world has to offer.

If you don't have a camera, the best thing you can do is describe how great it looked.

Always shoot it now. It won't be the same when you go back.

If you are out there shooting, things will happen for you. If you're not out there, you'll only hear about it.

One color alone means nothing. I acts as in a vacuum, with no other colors to relate to. It is only when colors relate to other colors that the fun begins.

Always wait for the trigger. The trigger is the final part of the puzzle, the reason you want to shoot.