I think there's a lot more freedom in doing the solo thing. It's almost like switching bands every time I do an album. Once this fourth one is out, I think it's going to be apparent that every record is not going to be the same.

I try to listen to a lot of music when I'm in the mixing process of a record, when I'm in post-production and trying to get everything to sound a certain way. During the writing process, I tend not to listen to too much music. I obviously wear a lot of influences on my sleeve, but if I was listening to too many records, I would turn into too much of a monkey.

There was a moment when I was getting death threats and bullshit via the Internet, so I was being a little more conscious and reading local message boards before going to certain towns, just to see if people were making bullshit idle threats on the Internet.

It takes ten times longer to get rid of your reputation than it does to make it.

In a live environment, the more bodies you put in a room, the more energy there will be. That's a real big payoff. That's really important, the live show, it's a big cycle of energy. If the audience is boring, it's tough to get excited about it.

I think there's a lot more freedom in doing the solo thing. It's almost like switching bands every time I do an album. Once this fourth one is out, I think it's going to be apparent that every record is not going to be the same.

I really don't think records should be made in the manner where you sit and write, and when you're finished writing, you start recording. That just seems conventional and old-fashioned to me.