There was a moment when I was getting death threats and bullshit via the Internet, so I was being a little more conscious and reading local message boards before going to certain towns, just to see if people were making bullshit idle threats on the Internet.

In a live environment, the more bodies you put in a room, the more energy there will be. That's a real big payoff. That's really important, the live show, it's a big cycle of energy. If the audience is boring, it's tough to get excited about it.

I think there's a lot more freedom in doing the solo thing. It's almost like switching bands every time I do an album. Once this fourth one is out, I think it's going to be apparent that every record is not going to be the same.

There was a moment when I was getting death threats and bullshit via the Internet, so I was being a little more conscious and reading local message boards before going to certain towns, just to see if people were making bullshit idle threats on the Internet.

I try to listen to a lot of music when I'm in the mixing process of a record, when I'm in post-production and trying to get everything to sound a certain way. During the writing process, I tend not to listen to too much music. I obviously wear a lot of influences on my sleeve, but if I was listening to too many records, I would turn into too much of a monkey.

It takes ten times longer to get rid of your reputation than it does to make it.

I really don't think records should be made in the manner where you sit and write, and when you're finished writing, you start recording. That just seems conventional and old-fashioned to me.