The underground and the alternative is going to be substituted with being a virus.

When I see that the clothes are sold the day they debut in some cases, I fear we are going to kill the invisible side of fashion, the mystery. Now with the industry, it's getting a bit difficult to create any mystery. But it's quite an interesting period. It's a bit chaotic.

What is the most challenging is the industry of fashion is pushing for speedy consumption.

To project your idea, you have to use new technology. It's not like the '70s or the '80s; you have an image that you project globally.

I can become a positive virus, a hope virus.

Sometimes you lose some friends and you get new ones.

In Paris, I didn't want to be friends with people in fashion. I wanted to get into a philosophical society where all the thinking men were.