In Paris, I didn't want to be friends with people in fashion. I wanted to get into a philosophical society where all the thinking men were.

When I see that the clothes are sold the day they debut in some cases, I fear we are going to kill the invisible side of fashion, the mystery. Now with the industry, it's getting a bit difficult to create any mystery. But it's quite an interesting period. It's a bit chaotic.

What is important is the future. After 40 years of creation, I continue. This is what I love.

I love creativity, with no fear of what people think.

When you want to be a designer today, you are in a subversion.

Chaos is favorable to creativity.

To project your idea, you have to use new technology. It's not like the '70s or the '80s; you have an image that you project globally.