I don't care about my image.

In France, I have lots of opportunities. Maybe now I'll be offered films in America. It's the encounter, with the director and the story that counts.

I feel very at home in an empty church. I feel the most protected. It's very mystical.

I never think of the completed film, rather the adventure of what I'm about to live.

I like the hot-cold, the sugar-salt, being able to play over-the-top and dramatic things - in the same film. Just as in my life, I can be very funny and at other times almost extinguished.

I don't want everyone to like me, and I don't choose who likes me. You have to give them the choice, give them the option.

I want to work with a director who becomes my brother, my father, for two months. You give yourself over to that person.