I love those films where I feel the director's confidence - where he doesn't need to overdo it with the shots and the cuts.

I look back, and I've got a couple of films, and I'm happy.

Just film what's there, trust what came before, one hour before, and make it easy.

I love those films where I feel the director's confidence - where he doesn't need to overdo it with the shots and the cuts.

In a career, when you hit 40 and you've done a lot of this and that, you want to try some new things. I feel like that as a director, too, from one film to the other.

When I do a mix tape for my kids, for my friends, for my lover, I meticulously choose the tracks, and it's beautiful. And when they are alone they think of me - and when I am alone I think of them.

I'm always aiming for some magic in films if I can find a mystical quality either in a song or in a moment or a character's intention.