When I do a mix tape for my kids, for my friends, for my lover, I meticulously choose the tracks, and it's beautiful. And when they are alone they think of me - and when I am alone I think of them.

When I do a mix tape for my kids, for my friends, for my lover, I meticulously choose the tracks, and it's beautiful. And when they are alone they think of me - and when I am alone I think of them.

You've got to trust your instincts, your judgment and trust the storytelling that came before and the quality of the acting with the emotion.

I'm from the 'less is more' school. I had to be in the 'more is more' zone with 'Dallas Buyers Club', so I was out of my comfort zone, but I had to trust that.

In a career, when you hit 40 and you've done a lot of this and that, you want to try some new things. I feel like that as a director, too, from one film to the other.

There's a way of filming where you can get rid of the vanity and of trying to make something beautiful.

I respect the British a lot - their history, their past, their culture. I think it's beautiful, what they have with the monarchy.