Perhaps its inevitable, perhaps one has to choose between being nothing at all and impersonating what one is.

One of the chief motives of artistic creation is certainly the need of feeling that we are essential in relationship to the world.

I will take it all: tongs, molten lead, prongs, garrotes, all that burns, all that tears, I want to truly suffer. Better one hundred bites, better the whip, vitriol, than this suffering in the head, this ghost of suffering which grazes and caresses and never hurts enough.

At times discreetly, at times disgustingly, I yielded to the most fatal temptation whenever I could no longer bear it: as a result of impatience, Orpheus lost Eurydice; as a result of impatience, I lost myself.

Like morality, literature needs to be universal. So that the writer must put himself on the side of the majority, of the two billion starving, if he wishes to be able to speak to all and be read by all. Failing that, he is at the service of a privileged class and, like it, an exploiter.

In life man commits himself and draws his own portrait, outside of which there is nothing. No doubt this thought may seem harsh to someone who has not made a success of his life. But on the other hand, it helps people to understand that reality alone counts, and that dreams, expectations and hopes only serve to define a man as a broken dream, aborted hopes, and futile expectations.

The past is the luxury of proprietors.