There's a whole generation growing up thinking you shouldn't seek knowledge for its own sake, and that theatre and art and books are activities that you do after-hours, rather than things that are at the heart of life. That's a huge change.

I realised something important: whatever is on the outside can be taken away at any time. Only what is inside you is safe.

Going back after a long time will make you made, because the people you left behind do not like to think of you changed, will treat you as they always did, accuse you of being indifferent, when you are only different.

I need to be able to hear what is being said to me by the voices I create. Just on the other side of creativity is the nuthouse - and I often notice people looking at me strangely when I am talking out loud, but there is no other way.

She was a monster, but she was my monster.

Autobiography is not important. Authenticity is important. The writer must fire herself through the text, be the molten stuff that welds together disparate elements. I believe there is always exposure, vulnerability, in the writing process, which is not to say it is either confessional or memoir. Simply, it is real.

If I can't stay where I am, and I can't, then I will put all that I can into the going.