One of the problems with watching TV is that you've got a fairly low level of language operating all the time. Quite a small vocabulary and really no conceptual or abstract thinking. That's an issue. If you've got a wide vocabulary, you can learn. The complexities of grammar, in themselves, force you to think about time in a particular way. Force you to widen your outlook on the world.

When we learn to read, it's a real product of civilization and a civilized society. It affects your brain. It affects the way you think, and it gives you that capacity for self-reflection that you simply do not have without the agency of books.

Where you are born--what you are born into, the place, the history of the place, how that history mates with your own-- stamps who you are, whatever the pundits of globalisation have to say.

When my friend Melot set the trap, I think I knew it. I turned to death full face, as I had turned to love with my whole body. I would let death enter me as you had entered me. You had crept along my blood vessels through the wound, and the blood that circulates returns to the heart. You circulated me, you made me blush like a girl in the hoop of your hands. You were in my arteries and my lymph, you were the colour just under my skin, and if I cut myself, it was you I bled. Red Isolde, alive on my fingers, and always the force of blood pushing you back to my heart.

Everything in writing begins with language. Language begins with listening.

Why did I walk so purposefully in a straight line? Where would it take me? He went round and round and we got there all the same.

Memory loss is one way of coping with damage.