The crazy thing is that when we go to somebody's house, what's better than looking at their bookshelves? Nobody's ever going to say, "Can I see the index to your Kindle?" It's so depressing and so unsexy. Sure, it's there, but nobody is going to get excited by that.

I have a head for heights it's true, but no stomach for the depths. Strange then to have plumbed so many.

In my subconscious, my books were part of a single emotional journey.

I don't want to conquer you; I just want to climb you.

And so, from the first, we separated our pleasure. She lay on the rug and I lay at right angles to her so that only our lips might meet. Kissing in this way is the strangest of distractions. The greedy body that clamors for satisfaction is forced to content itself with a single sensation and, just as the blind hear more acutely and the deaf can feel the grass grow, so the mouth becomes the focus of love and all things pass through it and are re-defined. It is a sweet and precise torture.

I think writing is a process that starts long before the writers are actually writers and probably goes on long afterward. It's rather like the way the Arabs weave rugs. They don't stop. They just cut them off at a certain spot on the loom. There is no particular beginning or end.

It’s better to think of my life like that— part miracle, part madness. It’s better if I accept that I can’t control any of the things that matter. My life is a trail of shipwrecks and set-sails. There are no arrivals, no destinations; there are only sandbanks and shipwreck; then another boat, another tide.