I'm a chairperson for 'No Kid Hungry', a campaign for poor American children.

We're here for such a short period of time.

I know how to dance with the wind, I can use its power by sailing this way, then that way, and again this way, till finally I get to you. With rowing, you're working primarily with your arms and shoulders. But with sailing, you're making bigger use of the wind and the waves.

I'm very manipulative towards directors. My theory is that everyone on the set is directing the film, we're all receiving art messages from the universe on how we should do the film.

Thoughts will change and shift just like the wind and the water when you're on the boat; thoughts are no different than anything else.

Sure, I get the blues. But what I try to do, is apply joy to the blues, you know? I don't know if it's a technique, or just being bent that way, being raised by the folks I was raised by.

Myths are wonderful - they really tell the stories that connect all of us and teach us so much.